Situated at Kowloon Tong, Festival Walk is highly accessible. Apart from being directly linked to Kowloon Tong Station, the mall has a direct rail connection to Mainland China and a pedestrian link to the City University of Hong Kong. For other means of transportation, it offers 830 car park spaces plus direct access to buses and taxis. Hence, Festival Walk plays the dual role of shopping paradise and transit hotspot. In view of the traffic and vehicle noise that may engender, two layers of glass door are in place to mitigate sound. Such enclosure methods are common and often seen, is there any novel means to achieve the same goal or to transform the unwanted sounds into sounds that are more appealing?
The popularity of Festival Walk owes much to its accessibility which facilitates or even maximizes customer flow. To tempt people to stay and linger, a variety of exhibitions take place regularly, topics ranging from car show, preview of the latest phone model, jewellery, cosmetics to even virtual reality by setting up a pop-up VR game station. No doubt such activities draw attention and enliven the sonic environment of the mall. Combining ease of access and regular exhibitions, the mall should be a constant stream of activities and movements. While accessibility brings customers and cash flow, the mall may be more prone to unwanted sound and indoor noise. Festival Walk is a high-end mall which houses many expensive brands. How will its role as a transit hotspot alter its soundscape which should represent its relatively lofty status?